INNER LOVE
Attrition Art Residency, France
2024
Developed through walking-based research in rural France, this body of work translates vernacular motifs and traces encountered in the surrounding agricultural landscape into embroidered interventions, artist books, and small handmade objects. The project reflects on landscape, memory, and the relationship between official and vernacular visual languages.
Book Interventions
LA SAINTE CHAPELLE
Artist book intervention on an existing publication (La Sainte-Chapelle, CMN, Paris, c.1980). Embroidered motifs derived from the decorative language of the chapel partially displace the original imagery while preserving the structure of the book.
[Louisa Vergozisi © 2025]
[Louisa Vergozisi © 2025]
BECAUSE SINCE WE STARTED TO UNBURY WE FORGET
A second intervention on the same publication introduces motifs inspired by local folk ornamentation from the rural region of Pauilhac, creating a dialogue between official architecture and vernacular traditions.
[Marcin Idźkowski © 2024]
[Marcin Idźkowski © 2024]
Small Gestures
I WANTED SOMETHING TO UNITE THEN I TOOK MY FEET AND SEWED THEM TO THE EARTH
A series of stitched paper works developed in response to local histories of land cultivation and territorial organisation. The works reflect on landscape, labour, and belonging through minimal embroidered gestures.
[Louisa Vergozisi © 2025]
[Louisa Vergozisi © 2025]
[Louisa Vergozisi © 2025]
EVERY LAND CARRIES BONES
Miniature books printed through letterpress on garlic skins collected from the surrounding fields, functioning as fragile material archives of the site.
[Marcin Idźkowski © 2024]
[Marcin Idźkowski © 2024]
[Louisa Vergozisi © 2025]
Participatory
GARLIC NOTES
Workshop exploring letterpress printing on garlic skins using local field materials to create small site-responsive gestures.
Specifications
Artist books (hand embroidery on paper)
Sewn paper
Letterpress on garlic skin
Variable dimensions
2024